(Baudry, the Apparatus: Metapsychological Approaches to the Impression of Reality in Cinema 707). Baudry explains that in reality, the spectator is actually convinced to assume this due to the effective application of the cinematic apparatus, thus enforcing a standardized spectatorial basis. Furthermore, Baudry later also mentioned that the cinematic apparatus and its ideological connotations created focus upon the ability of the cinema to symbolize the psychic desire of the spectator (Baudry, Ideological Effects of the Basic Cinematographic Apparatus 45). The works of Jean-Louis Baudry are echoed by the analysis conducted by Daniel Dayan. Developing on the suggestions of Baudry, Dayan wrote about the theory suggested by French psychoanalyst and writer Jacques Lacan that implicated that what runs on the screen, is a construction by the film itself, viewed by the spectator as an object of desire. This analysis suggested that these constructions appear to offer the spectator identification with an image from which to watch the film (usually that of a lead-character). In reality, this identification or...

By employing such methods, Hollywood has been successful in forming a standardized basis of spectatorship needed to promote and grow the cinema.
Bibliography

Baudry, Jean-Louis. "Ideological Effects of the Basic Cinematographic Apparatus." Nicholas, Bill. Movies and Methods: An Anthology. Berkeley: University of California Press, 1985. 531-541.

Baudry, Jean-Louis. "The Apparatus: Metapsychological Approaches to the Impression of Reality in Cinema." Braudy, Leo and Marshall Cohen. Film Theory and Criticism: Introductory Readings. New York: Oxford University Press, 2009. 690-707.

Bazin, Andre. "The Ontology of the Photographic Image." Braudy, Leo and Marshall Cohen. Film Theory and Criticism: Introductory Readings. New York: Oxford University Press, 2009. 159-163.

Dayan, Daniel. "The Tutor-Code of Classical Cinema." Braudy, Leo and Marshall Cohen. Film Theory and Criticism: Introductory Readings. New York: Oxford University press, 2009. 106-117.